Prior to directing Batman Begins, Nolan dreamed of making a film about Howard Hughes’ final years: the period when the millionaire aviator, film producer, and mad man succumbed to his neuroses and obsessions. Eight years have passed in the film’s narrative since last we saw our hero, and Bruce is now disheveled and broken, haunted by ghosts while living like one in the shadows of Wayne Manor. None of these came to pass, however, as made exceedingly clear in the first seconds of Bale’s introduction in The Dark Knight Rises. The Batman’s become “a Dark Knight.”Īfter the film concluded, many fans began speculating just what a third chapter of the Christopher Nolan directed and co-written Batman films would look like: the police at war with Batman? The rise of a criminal underworld of masked freaks like Joker and Batman, embracing the chaos unleashed by their fight? Maybe we’d get to see Batman tackle the Riddler, a foe almost as mentally taxing as the clown. Gary Oldman’s Jim Gordon even pens a triumphant eulogy for the superhero’s fallen image. At the close of what many still consider to be the high water mark for superhero movies, Batman has agreed to take on the burden of Harvey Dent’s sins, framing himself as a murderer and saving Gotham City from cynicism through a veil of lies. In retrospect, this is probably not the version of the Caped Crusader fans expected to find after The Dark Knight’s thrilling finale. He appeared like an invalid whose great adventures were behind him. With a scraggly, unkempt beard and a bathrobe acting as his cape, Bruce Wayne appeared more like how one imagines Christian Bale exists between gigs than Batman at the start of The Dark Knight Rises. The Dark Knight not so much glided back onto cinema screens in 2012 as he hobbled across them.
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